Cosmic CS Collage

 

CS. NO.7, 2.23.10, 16" x 18"

Are the stars out tonight? Can you tell if it's cloudy or bright?

 

(detail)

These papers lend themselves to thoughts of the cosmos, and that's where I went this week. Yes, in my universe, some planets are oval-shaped.   

As usual, this collage was created using NatGeo magazine pages "melted" with CitraSolv Concentrate. If you'd like to know how it was done, you can check the most recent issue of Cloth, Paper, Scissors, or go to this post of mine and scroll down about halfway.

The Dyed Silk Blahs

Well, sometimes when you goof, you do it on such a grand scale that it takes your breath away for days. That's what happened to me this week. But since it's a little depressing, we'll get to that last.

Last week, I saw a program on Ovation TV called Art Or Not? and in it, they covered an artist who worked with Shiva sticks on large canvases. He made tiny marks all over the canvas with the paints, using them like crayons and adding layer after layer of colors until the whole canvas was covered. (I wish I could tell you the name of the artist, but I don't see it anywhere on their site.)

I was inspired and thought it would be a neat technique to try with fabric, so I wacked off a large hunk of white muslin, pinned it to my wall, and drew on it.

 

36" x 52"

(detail)

It was an awful lot of fun and while I don't know what I'll do with it, yet, I'm sure I'll be able to find something neat it can go into. 

I did another kind of crazy thing this week- I used a piece of breakdown printed fabric and one of my "melted" papers from my CitraSolv/NatGeo collection (to find links to this technique, please see the left sidebar for the link labeled "CitraSolv Concentrate") to create a quilt.

 

 12" x 24"

I adhered the paper to the fabric with a very thin coating of gloss medium applied to the back of the paper and then, when dry, ironed to the fabric. It has a nice, soft hand, despite using gloss medium. 

I was really pleased with the "tunnel" stitching I did on the top of the piece. 

 

(detail)

It gave it a great texture, I think.

Also, this weekend, I negotiated a solo show for the month of May at a Houston business, a restaurant called Mo Mong. I've done these shows before- in fact, I spent three years curating such collections for several different businesses- and quite frankly, I swore I'd never do it again. However, this is a very high-profile and busy restaurant, and the owner asked for my work sight-unseen, which was flattering. I'll let you know how it goes; hopefully I can sell some of my pieces!

So, onto my silk blahs...

A very expensive batch of veils arrived last week, along with twelve pots of acid dyes. The idea was to parfait-dye them in a large vat (bucket) with all twelve dye colors thrown into the mix. For those of you not familiar with parfait dyeing, it basically means to LWI dye by scrunching a piece of fabric into a tall, narrow jar, pouring in one dye color (I always start with the lightest color, usually in the yellow family), scrunching another piece of fabric into the jar on top of the first piece, pour in another color of dye and so on until the jar is full. Batch and rinse as usual.

I had it in my head that I would do this with large silk veils, but first did several different experiments until I was happy with the results.

Unfortunately, those experiments didn't really help with the mess that was to follow when I did it on a grand scale. My dyes clotted before they could be poured onto the silk, the silk refused to scrunch enough to get even the slightest patterning, and the dye, rather than blending on each piece in a nice melange of colors, refused to blend at all, so I got several red veils, several blue, several green, etc. I didn't even take photos. They're not unattractive, just boring as hell.

This week I will try to spruce them up with some screen printing and fabric painting and if that is successful, I'll be sending them to Lynn Krawczyk, who has generously chosen Art Now For Autism as her designated recipient of her annual Breaking Traditions fund-raiser this year. My scarves, if they turn out well, will be given to participants of the auction fund raiser as thank you gifts (and if they don't, I'll be donating some of my hand-dyed muslin, instead).

Look for this week's CitraSolv/NatGeo collage in the next couple of days. In the meantime, happy creating!

CS. NO6

 

CS. NO6, 2.16.10, 16" x 18"

This week, now that the sun has finally come out again, I find myself craving spring. So I just couldn't help but break out the spring colors for this week's CitraSolv/NatGeo collage.

The NatGeo pages were adhered to a masonite blank in my new favorite manner: I paint the masonite and the backs of the pages with gloss medium and once they're all dry, I iron the paper to the board. The heat of the iron melts the medium and the pages adhere flatly and smoothly to the surface of the masonite.

Then I broke out my spring leaf stamps. These stamps are hand-made by adhering cut fun foam to pieces of foamcore. I painted each stamp with titanium white acrylic paint to act as a resist to the wash of color that came next.

Once the paint dried, I washed the entire surface in Sun Yellow (primary) and Turquoise (also a primary) Dye-Na-Flow and then to seal it, I covered the whole thing in a final wash of more Sun Yellow mixed into gloss medium.

 

(detail)

CS NO. 3 (Collage)

CS No.3, 1-25-10,  16" x 18"

This was a fun piece to construct and went together fairly quickly, once it decided what it wanted to be. 

As usual, I started with a  piece of masonite (I love to recycle), which I covered with two layers of Wonder Under. Onto that substrate, with a hot iron, I collaged several whole sheets of melted magazine pages.

Wanting to change the background color a bit but also wanting to show the beautiful patterns and peculiarities of the original papers, I created a glaze combining a 50/50 mixture of gloss and matte mediums with a hint of Golden acrylic paint in dioxazone purple.

Once it was dried, I embellished the background with textile foil in copper. I continued to collage more cut pieces of magazine pages, again using Wonder Under as my adhesive.

 

(Detail)

(NOTE: for the Citra Solv/magazine trick, please see the most recent issue of Cloth, Paper, Scissors or my first blog post about it (scroll down about halfway to find it.)